I use design as a way of understanding the world. A tool for getting to the root of a problem, guided by curiosity, empathy, and a deep respect for the people who will be impacted by my work. As a designer, I’m most energized by projects that are deeply rooted in community. 

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Studying Industrial Design at RIT, I received rigorous, hands-on training that pushed me to think systemically and work across disciplines. Since then I’ve worn many hats, designing technical gear for wildland firefighters, supporting operations and product development for a growing PNW brand, and creating props, puppets, and set design for theatre. While the contexts of my work may vary, the thread connecting them all is my process. Beginning with careful observation and asking the right questions then moving toward thoughtful practical outcomes.

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Outside of formal design work, I’m happiest working with my hands. I spend my time trail running with my sister, woodworking, reading, hosting dinner parties, and camping whenever I can. I also work part-time on a farm, helping in the greenhouse and assisting with events, which has reinforced my appreciation for systems, seasons, and adaptability (ask me about the day the baby goats got loose). If you’re curious to see how these interests show up in my designs, take a look through my archive of work!